If you’re a regular reader, you probably know that from January 25th until February 5th, I had the great pleasure of attending the 41st annual International Film Festival of Rotterdam. Over the twelve days of the festival, amidst the frequently sub-zero temperatures of a European winter, I watched twenty-three feature films from five continents, hobnobbed with members of the international press, and attended the prestigious Tiger Awards ceremony, designed to [...]

By on February 24, 2012

A charming comedy set in the cutthroat world of Norway’s least popular sport, Ole Endresen’s Curling King was a colossal audience hit at this year’s International Film Festival of Rotterdam. Co-writer Atle Antonsen (a popular Norwegian comedian) also stars as Truls Paulsen, a once champion curler whose manic obsession with the sport eventually saw him institutionalised with obsessive compulsive disorder. Released after a decade – heavily medicated – into the [...]

By on February 24, 2012

From the opening scene, in which lead character Swanson (Tim Heidecker) describes in detail the effects of an anal prolapse before insulting the sexuality of the male nurse whose job it is to take care of his barely breathing invalid father, Rick Alverson’s new film does everything it can to be as aggressively alienating as humanly possible. An ugly tale of a fat, over-privileged, middle-aged New York hipster stuck in [...]

By on February 9, 2012

If I eschew traditional film reviewing conventions here, it’s because the work I’m reviewing isn’t really a film at all. One of the features of the “Signals: For Real” section at this year’s International Film Festival of Rotterdam – a programme designed to challenge and subvert the ways viewers think about cinema – Soundtrackcity Rotterdam is in a lot of ways more like an audiobook than a movie – although [...]

By on February 9, 2012

This year, the 41st annual International Film Festival of Rotterdam screened over 450 short films in addition to its 268 features. With films in every conceivable style, the shorts programme offered audiences the chance to witness exciting and experimental works from directors ranging from seasoned veterans to filmmakers whose careers are still in their infancy.

While my time over the past two weeks has been primarily concerned with features, I still [...]

By on February 7, 2012

Any ghost story that claims to be “based on a true story” is already fighting an uphill battle, but when it’s as middling and generic as Pat Holden’s When the Lights Went Out, it’s even easier to dismiss. A stock standard haunted house story, the film follows an English family who experience paranormal disturbances upon settling in to a new home. Although not entirely lacking in creepy images or suspense, [...]

By on February 6, 2012